000			02591nam a22002774a 4500
001			UCASAGRANDE
005			20240425123917.0
007			ta
008			t2003 us gr 00| 0 spa d
020			_a0-226-42308-5
040			_aUCASAGRANDE
041			_aeng
082			_aUCG 759 _bATHc 18696
100			_aAthanassoglou-Kallmyer, Nina Maria, _cautor
240			_a28
245			_aCézanne and Provence: _bThe Painter in His Culture / _cNina Maria Athanassoglou-Kallmyer
250			_a1era. edición;
260			_aChicago: _bThe University of Chicago Press, _c2003
300			_a323 páginas; _c29x22 centímetros
500			_aIn 1886 Paul Cézanne left Paris permanently to settle in his native Aix-en-Provence. Nina M. Athanassoglou-Kallmyer argues that, far from an escapist venture like Gauguin’s stay in Brittany or Monet’s visits to Normandy, Cézanne’s departure from Paris was a deliberate abandonment intimately connected with late-nineteenth-century French regionalist politics. Like many of his childhood friends, Cézanne detested the homogenizing effects of modernism and bourgeois capitalism on the culture, people, and landscapes of his beloved Provence. Turning away from the mainstream modernist aesthetic of his impressionist years, Cézanne sought instead to develop a new artistic tradition more evocative of his Provençal heritage. Athanassoglou-Kallmyer shows that Provence served as a distinct and defining cultural force that shaped all aspects of Cézanne’s approach to representation, including subject matter, style, and technical treatment. For instance, his self-portraits and portraits of family members reflect a specifically Provençal sense of identity. And Cézanne’s Provençal landscapes express an increasingly traditionalist style firmly grounded in details of local history and even geology. These landscapes, together with images of bathers, cardplayers, and other figures, were key facets of Cézanne’s imaginary reconstruction of Provence as primordial and idyllic—a modern French Arcadia. Highly original and lavishly illustrated, Cézanne and Provence gives us an entirely new Cézanne: no longer the quintessential icon of generic, depersonalized modernism, but instead a self-consciously provincial innovator of mainstream styles deeply influenced by Provençal culture, places, and politics.
650			_aCézanne, Paul, 1839-1906 _990979
650			_aArte francés _990980
650			_aPintura francesa _990981
650			_aCrítica e Interpretación _990982
942			_c1 _e2024-04-25 _zIFG
999			_c139825 _d139825