| 000 | 01282nam a2200265Ia 4500 | ||
|---|---|---|---|
| 001 | UCASAGRANDE19543 | ||
| 007 | ta | ||
| 008 | 210819s1992||||xx |||||||||||||| ||spa|| | ||
| 020 | _a978-0-415-06595-5 | ||
| 040 | _aUCASAGRANDE | ||
| 041 | _aspa | ||
| 082 | _a791.43 | ||
| 100 |
_aStam, Robert _eautor |
||
| 240 | _a196 | ||
| 245 | 0 | _aNew vocabularies in film semiotics: structuralism, post-structuralism and beyond | |
| 250 | _a1a ed | ||
| 260 |
_aLondon: _bRoutledge, _c1992 |
||
| 300 |
_a239 p.; _c23 cm |
||
| 505 | _aThe origins of semiotics. Semiotics and the philosophy of language. The founders of semiotics. Russian formalism. the bakhtin school. Prague structuralism. Cine - semiology. The cinamatic sing. Minimal units and their cinematic articulation. Cinema: langue or langage. The grand syntagmatique. Film-narratology. The semiotics of narrative. Film as a narrative art: formalist approaches. Contemporary models of formal structure. The structuralist analysis of narrative. Psychoanalysis. From realism to intertextuality. Cinematic realism. Ideology and the camera | ||
| 513 | _b1992 | ||
| 650 |
_aCine _958657 |
||
| 700 |
_aBurgoyne, Robert _eautor _982632 |
||
| 700 |
_aFlitterman-Lewis, Sandy _eautor _982633 |
||
| 942 |
_c1 _e2016-03-15 _zmmejia |
||
| 999 |
_c135041 _d135041 |
||