000 | 00980nam a2200265Ia 4500 | ||
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001 | UCASAGRANDE19485 | ||
007 | ta | ||
008 | 210819s1974||||xx |||||||||||||| ||spa|| | ||
020 | _a978-0-226-52130-5 | ||
040 | _aUCASAGRANDE | ||
041 | _aspa | ||
082 | _a791.43 | ||
100 |
_aMetz, Christian _eautor |
||
240 | _a157 | ||
240 | _a169 | ||
240 | _a300 | ||
245 | 0 | _aFilm language: a semiotics of the cinema | |
250 | _a1a ed | ||
260 |
_aNew York: _bOxford University, _c1974 |
||
300 |
_a268 p.; _c20 cm |
||
505 | _aPhenomenological approaches to film. On the impression of reality in the cinema. Notes toward aphenomenology of the narrative. Problems of film semiotics. The cinema: language or language system. Some points in the semiotics of the cinema. Problems of denotationin the fiction film. Syntagmatic analysis of the image track | ||
513 | _b1974 | ||
650 |
_aCine - Arte Cinematográfico _973730 |
||
942 |
_c1 _e2016-03-02 _zmmejia |
||
999 |
_c134983 _d134983 |