| 000 | 01077nam a2200229Ia 4500 | ||
|---|---|---|---|
| 001 | UCASAGRANDE19481 | ||
| 007 | ta | ||
| 008 | 210819s1997||||xx |||||||||||||| ||spa|| | ||
| 020 | _a978-0-520-02255-3 | ||
| 040 | _aUCASAGRANDE | ||
| 041 | _aspa | ||
| 082 | _a791.43 | ||
| 100 |
_aBazin, André _eautor |
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| 245 | 0 | _aWhat is cinema? | |
| 250 | _a1a ed | ||
| 260 |
_a _bUniversity of California Press, _c1997 |
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| 300 |
_a200 p. v.II; _c20.5 cm |
||
| 505 | _aAn aesthetic of reality: cinematic realism and the italian school of the liberation.La terra trema. Bicycle thief. De Sica: metteur en scene. Umberto D: a great work. Cabiria: the voyage to the end of neoralism. In defense of Rossellini. The myth of monsieur verdoux. Limelight, or the death of moliere. The grandeur of limelight. The western, or the american film par excellence. The evolution of the western. Entomology of the pin-UP girl. The outlaw. Marginal notes on eroticism in the cinema. | ||
| 513 | _b1997 | ||
| 650 |
_aCine - Arte Cinematográfico _973730 |
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| 942 |
_c1 _e2016-03-01 _zmmejia |
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| 999 |
_c134979 _d134979 |
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